Famous Illustrators of the Golden Age Coloring Portfolio: American Edition 1898-1927
40 single-sided coloring pages inspired by classic paintings from the Golden Age of Illustration.
Available now for $8.99 at Amazon.

This coloring book is a project I have wanted to do for many years, given my respect for these early illustrators of the Golden Age. Not only were these illustrators amazing artists, they were also fascinating people. That's why I researched and included biographies for all of them. I want people to be inspired and say, "Wow! I really like these illustrations by Maxfield Parrish. I need to see more of his art and read more about him." This book is for adult coloring book enthusiasts and art appreciators as well as young adults.

For me, the book is more than just line art reproductions of classic paintings. I wanted to artistically interpret these 40 illustrations into richly-detailed coloring pages, while at the same time making them look as though the the line art came from my hand---much in the same way the final colored pages will look as though they came from your hand.

Here's a PDF color reference guide for each page, for those of you who want to see the original paintings.

Below is a flip-through look at the book.

​This beautifully detailed coloring book features 40 single-sided coloring pages inspired by classic paintings from the Golden Age of Illustration. The artwork ranges from simple to complex with multiple themes including: fantasy, romance, adventure, portraiture, historical, and advertising. Plus an introduction to the Golden Age of Illustration with biographies that tell the stories of these amazing illustrators.

The Golden Age of Illustration is a period in time in America from the 1880s–1920s when paintings and drawings adorned the covers of magazines and appeared on posters and advertisements. These illustrations were created by highly talented artists, many in their youth and just starting careers in art. Many of these illustrators became household names and lived lifestyles of fame and fortune not dissimilar to modern day movie or music stars. It was an exciting and imaginative time in history with influences that are felt to this day. So, peel back your crayons, sharpen your colored pencils, and take a journey back to the Golden Age of Illustration to create your own timeless masterpieces!

Coloring page adaptions from artwork by:

• Edwin Austin Abbey
• Will H. Bradley
• Harrison Fisher
• James Montgomery Flagg
• John Held Jr.
• J. C. Leyendecker
• Neysa McMein
• Maxfield Parrish
• Edward Penfield
• Coles Phillips
• Howard Pyle
• Ethel Reed
• Norman Rockwell
• Elizabeth Shippen Green
• Sarah Stilwell Weber
• Jessie Willcox Smith
• N. C. Wyeth

In 2000, I was contracted by J.E. Morgan Knitting Mills, Inc. to design a product catalog cover for their popular line of Baby Morgan baby blankets.

The design for the Baby Morgan character already existed. I was to take the character and create a fun and whimsical scene for Baby Morgan to occupy. The art director sent me some ideas to work with, "Baby Morgan around the world", "Baby Morgan goes through life", "Baby Morgan 4-seasons" – open to my interpretation. I sketched four different cover concepts. They chose "Soft as a Cloud" which featured numerous baby Morgans of different ethnicities circling the earth on blankets that are as "soft as a cloud."

The Baby Morgan line of blankets and infant apparel produced by J.E. Morgan Knitting Mills Inc., ceased production in late 2007, early 2008. Below is a brief history of the company's now defunct website from December 2007. Like many companies who have come and gone, after 62 years in business, several acquisitions, and a changing world market the company closed.

Below is the most accurate history I could find online for the J. E. Morgan Knitting Mills, which comes from 2007, the last year in which the company's website was active.

Crayola has a new line of crayons coming out this year. Colors of the World – crayons with specially formulated colors representing people of the world. Along with many talented artists and educators, I worked with the team at Crayola to help bring to market the 48 page coloring book that celebrates diversity.

For more information and to purchase Colors of the World crayons and coloring book, please visit Crayola.com

​“Mail me a postcard when you get there!” I remember saying that a few times. I remember hearing that even more times! Today, the postcard is a fading artifact of the past. You can still find them in souvenir stands, but like the buffalo that once roamed the plains, they are a dying breed. The better ones, the funnier ones were saved and cherished. Most of the time they were never mailed. They were bought, tossed in a suitcase, and brought home. A few of the cards you see here are from my family’s collection. My parents, grandparents… they saved these, as did many other people. Some of the most frequently-saved postcards came from one man – Bob Petley “The Cowboy Cartoonist,” “The King of Postcards,” the man who put the jackalope in your mailbox.

​Bob Petey began his artistic career as a layout artist for the Arizona Republic and Gazette newspapers and worked for them for three years. There, he decided to advertise his own novelty cards, “Petley’s Laff-Line.” These ads eventually led to him becoming the king of tourist and novelty postcards. In 1943 he started Petley Studios, Inc. in Arizona, which by 1979 became the nation’s largest publisher and distributor of scenic color postcards selling over 40 million cards a year.

According to Petley, “I started with the cartoon because it was the simplest way to get into the business.” Of all his drawings, he claimed his favorite was “Howdy from the Middle of Nowhere,” depicting a thirsty donkey and a hungry vulture. Often this card, an ones like it, were custom printed with the names of local towns on the fronts or backs.

​Along with a large line of cartoon postcards, Petley had an even larger line of photo postcards. He purchased a camera, traveled the highways in a station wagon and later a Lincoln Continental. These large cars allowed him to not only carry his photographic equipment, but to serve double duty as a traveling showroom. He removed the back seats and replaced them with racks of postcards, stopping along his way to sell his products to souvenir stands.

He began taking scenic photos, portraits of native Americans, and tourist attractions, then moved on to staged comic photos which were similar in humor to his cartoon cards. One example of these is of four burros with the printed caption – “Board of Directors.” It’s also interesting to note that Barry Goldwater, the former Arizona State Senator, taught him how to use his first camera. Goldwater was also the photographer for many of the Native American postcards published by Petley Studios.

​Not all of Petley’s photo postcards are his. He purchased about 50% of the images from other photographers. If you see a roadrunner card, he didn’t take it! He said tourists liked to buy photos of sunsets and roadrunners. He said that men were most likely to buy his novelty cards and mostly women to buy his scenic cards. More often, tourists mailed the sunset cards to friends and family while they brought home the novelty cards, stashed them away in a drawer, and brought them out for the adults to enjoy on special occasions.

There is very little difference in the visuals and messages of these vintage postcards and the modern day social media memes. You can hold a postcard in your hand. You can treasure it for years as a family memento. But, I doubt the same will ever be said of a digital meme. But in either case, the humor is practically identical and people send them to each other expecting laughs. Big laughs!

Many of these illustrated novelty cards were considered tacky and intensionally so! Today they may be viewed as offensive or in bad taste. This is the risk that topical humor takes. These are not issues isolated to the past and over time, what was once acceptable humor may be considered insensitive, or at the least their meanings misinterpreted. I have seen my share of political and social change over the years. All one has to do is log onto social media to see that this type of humor has not gone away. It’s important to acknowledge the time and place in which something was created.

Petley’s most famous photo postcard featuring a jackalope was not his original creation. He had purchased a stuffed jackalope in a Phoenix novelty store and photographed it to appear as a giant among the Papago Buttes, thus creating one of the world’s most famous postcards.
​
The modern jackalope originated in Wyoming in the 1930s. The creation of Douglas Herrick and his brother, both hunters with taxidermy skills, popularized the American jackalope by grafting deer antlers onto  jackrabbit carcasses. Animal hybrids are nothing new. The concept of horned rabbits has been around for centuries dating back to Medieval and Renaissance folklore. Sadly, some of these “legends” may have arisen from sightings of rabbits afflicted with the Shope papilloma virus, first described in 1933 by Dr. Richard E. Shope, M.D. He noted that some rabbits he was studying in Iowa and Kansas had...

​Bob Petley was born on November 11, 1912 in Akron, Ohio. He passed away on July 7th 2006. Marketing and sales seemed to be in his blood. Between 1937 and 1943, he sold candy for the Life Savers Company, sold shirts for Cluett-Peabody Co., and worked for Fisher Body Division, illustrating repair procedures for the B-29 Bomber.

In 1984, Petley sold his postcard business to Southwester, Inc., a seller of souvenirs. In the late 1990s, while taking photos of tourists in old Scottsdale, he lost his footing and fell backwards. The accident forced him into a nursing home where he lived out the remaining years of his life.

Sources
Albuquerque Journal; June 23, 1974
Arizona Daily Sun; December 9, 1979
Arizona Republic; April 22,1986
Arizona Republic; March 18, 2001
The Arizona Republic; July 11, 2006
Arizona Republic; July 17, 2006
The Greenville News; April 22, 2001
The New Mexican Sun; August 3, 1986
en.wikipedia.org/wiki/Jackalope​

Crayola Mini Coloring Pages

I designed and illustrated the Crayola Mini Coloring Pages in 2014 for a 2015 Valentine's Day release date. I followed the new 3D crayon character style guide for the artwork. This was not a licensed product. It was created directly through Crayola. All the written expressions were supplied to me along with a general direction of how the characters should be posed. This was a pretty basic job, easy tight sketches and then vector line art completed in the computer. My favorites are "My Heart Melts for You!" and the Gump inspired "Love is a Box of Crayons." I was never able to find this box locally as it sold out very quickly, so if anyone has it, let me know. I'd like to add it to my collection.

​I am proud to announce that my book The Musical Touch of Leonard Nimoy: His fascinating musical career and discography by Darlene Lacey and Joe Lacey has been nominated for the 2020 Association for Recorded Sound Collections Awards for Excellence in Historical Recorded Sound Research. The book is available in print and e-book editions at Amazon.

The winners will be announced by September, and the awards will be presented during a banquet at ARSC’s annual conference in May 2021. Additional information about ARSC, the awards, and this year’s conference may be found at www.arsc-audio.org

ARSC is a nonprofit organization dedicated to the preservation and study of sound recordings.

The Miller Lite Holiday Village is a large dimensional stand-up I painted as a point-of-purchase display for the Molson Coors Brewing Company. It was roughly four feet long and three feet tall with blinking LED lights. It stood on two large candy cane striped poles with cases of Miller Lite beer beneath it.

I landed the assignment through an ad I placed in an illustrators source guide. There's a long-standing conception that if you show an illustration of a cow, you will get a job illustrating cows but maybe not a horse. Show an illustration of Halloween and you will get jobs illustrating pumpkins, ghosts, and Frankenstein. The illustration I showed was a painting of a Halloween ghost I had done specifically for the ad. I figured I'd get jobs illustrating spooky monsters. The funny thing is, the ad agency and the client liked that I did holiday themed art, even though it wasn't Christmas. They also liked my painting style. So, I guess if you show holiday illustrations you'll get jobs illustrating holiday scenes. Any holiday scenes! Well, that's what happened me and I was surprised as anyone.

I painted the display in six sections using acrylic paint. If I were to do this today, I would probably paint it about half the size I did (shipping it off to the agency was quite a challenge.) It was the first time I had worked on such a large scale advertising assignment. It also led to me being interviewed and featured in the trade book Artist's & Graphic Designer's Market as the subject of their "Insider Report". I believe the display was successful as it was used for two consecutive years. I never saw it in a store, but I finally found one at a large beer distributor a year later and was able to buy one. Sadly, it was lost in one of my many moves. If anyone ever sees it, let me know. I keep looking online, but have yet to find it.

Here's a Halloween item to get you in the mood for ghosts, witches, and black cats.... the Haunted House Shaped Scrapbook and the Pumpkin Patch Shaped Scrapbook from Wilton Industries, makers of baking and specialty party products.

Each book came with 20 patterned pages for kids to use as a scrapbook base (candy corn shapes, bats, etc...) and were roughly 6" x 8", although, I did see some smaller versions as well. The books were bound with heavy metal posts that could be unscrewed for more pages to be added. Originally intended to have low-tech battery light-up LEDs, that feature was dropped, but the die cuts and window openings remained.

I designed four concepts — a black cat, a witch, a skeleton graveyard, and a haunted house. Of these, only the haunted house was chosen to go into production. I was then asked to redesign the skeleton graveyard into a pumpkin patch, which became the second book in the series. There were also two Christmas themed scrapbooks I designed. I'll post those later.